Saturday, February 9, 2019
Fire and Heat Imagery in Charlotte Brontes Jane Eyre Essay -- Jane Ey
Fire and Heat Imagery in Charlotte Brontes Jane EyreThe essence of any authentic magnificent piece of literature is not what one can deal in words. It is what one can see behind the words. It is through the symbolic representation and tomography found in works of literature that a referee can truly connect with the writer. Charlotte Bronte epitomizes the spirit of the unread but still in her Victorian work Jane Eyre. There have been numerous essays and theories presented examining the involved symbolism and forecastry used by Bronte in Jane Eyre. Much of the imagery she uses concentrates on passion, fantasy, and the supernatural. In this essay I will examine Brontes use of excitement and heat imagery pertaining to Mr. Rochester and Janes love relationship. To begin, give the sack imagery permeates Mr. Rochester and Jane Eyres relationship from beginning to end. Since the passionate love that Rochester and Jane starting line held was sinful, it was accompanied by images of fire and burning. This can possibly be an image of hell. For example, when Rochester was trying to convince Jane to stay with him despite the fact that he was married, he described what he expected her reaction to be, I was prepared for the risque rain of tearsbut I erryour heart has been crying blood. This image of hot rain and weeping blood lends itself to an image of punishment. Similarly, when Jane showed signs of fatigue, he carried her in his arms up to her room, holding her tightly. As a declaration of his sinful touching, Janes senses were dulled, all was cloudy to my glazed sight. Yet when he placed her in front of the fireplace to warm up, she felt revived, I felt the reviving warmth of a fire Here the fire cleansed Jane of her stupor. It awoke her conscience to what Rochester ... ...ns, it was a just judgment on him for keeping his rootage marriage secret, and wanting to take another wife while he had one living. Thus, Jane and Rochester reunited and each proved to b e reborn, Jane after undergoing her own concluding period of personal and spiritual growth, and Rochester after facing his vices and rescinding his sinful nature. In conclusion, the concept of fire used by Charlotte Bronte in Jane Eyre cleanses, foreshadows, strengthens, and reawakens both Jane Eyre and Mr. Rochester. Bronte hard-boiled the passionate nature of her novel by continuously revealing that heated sinful emotions only lead to ruin. Both Jane and Rochester were subjected to emotional and spiritual purgatory for their immorality. They were allowed console only after achieving spiritual rebirth. Work CitedBronte, Charlotte. Jane Eyre. New York Dodd, Mead & Company, 1991
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